American-Australian Cinema
-15%
portes grátis
American-Australian Cinema
Transnational Connections
Gaunson, Stephen; Kunze, Peter C.; Danks, Adrian
Springer International Publishing AG
06/2019
333
Mole
Inglês
9783319882987
15 a 20 dias
460
Descrição não disponível.
1. Where I'm Calling From: An American-Australian Cinema?.- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood.- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life.- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion.- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona.- 6. Accented Relations: Mad Max on US Screens.- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood.- 8. Australian Horror Movies and the American Market.- 9. The Female Gothic Meets the Terrible Terrace House
: Transnational Exchanges and the Suburban Australian Horror of The Babadook.- 10. American Cartel: Block Bookings and the Paramount Plan.- 11. The Multiplex Era.- 12. "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928).- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia.- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens.
: Transnational Exchanges and the Suburban Australian Horror of The Babadook.- 10. American Cartel: Block Bookings and the Paramount Plan.- 11. The Multiplex Era.- 12. "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928).- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia.- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Australian Cinema;American Cinema;Global Hollywood;Film Production;Film Distribution;Film Reception;Babadook;Mad Max;The Great Gatsby
1. Where I'm Calling From: An American-Australian Cinema?.- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood.- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life.- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion.- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona.- 6. Accented Relations: Mad Max on US Screens.- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood.- 8. Australian Horror Movies and the American Market.- 9. The Female Gothic Meets the Terrible Terrace House
: Transnational Exchanges and the Suburban Australian Horror of The Babadook.- 10. American Cartel: Block Bookings and the Paramount Plan.- 11. The Multiplex Era.- 12. "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928).- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia.- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens.
: Transnational Exchanges and the Suburban Australian Horror of The Babadook.- 10. American Cartel: Block Bookings and the Paramount Plan.- 11. The Multiplex Era.- 12. "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928).- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia.- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
