Voice and Discourse in the Irish Context
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Voice and Discourse in the Irish Context
Amador-Moreno, Carolina; Villanueva Romero, Diana; Sanchez-Garcia, Manuel
Springer International Publishing AG
02/2018
294
Dura
Inglês
9783319660288
15 a 20 dias
524
Descrição não disponível.
Chapter 1. Introduction; Carolina P. Amador Moreno and Diana Villanueva Romero.- Chapter 2. Voicing the 'Knacker': Analysing the Comedy of the Rubberbandits; Elaine Vaughan and Mairead Moriarty.- Chapter 3. "I intend to try some other part of the worald." Evidence of schwa-epenthesis in the historical letters of Irish emigrants; Persijn M. de Rijke.- Chapter 4. NEG/AUX contraction in eighteenth-century Irish English emigrant letters; Dania Jovanna Bonnes.- Chapter 5. A Corpus-Based Approach to Waiting for Godot's Stage Directions: A Comparison between the French and the English Version; Pablo Ruano San Segundo.- Chapter 6. Samuel Beckett's Irish Voice in Not I; Jose Francisco Fernandez.- Chapter 7. Bernard Shaw and the Subtextual Irish Question; Gustavo A. Rodriguez Martinez.- Chapter 8. Voices from War, a Privileged Fado; Daniel de Zubia Fernandez.- Chapter 9. A Century Apart: Intimacy, Love and Desire from James Joyce to Emma Donoghue; Teresa Casal.- Chapter 10. Foreign Voices and the Troubles: Northern Irish fiction in French, German and Spanish Translation; Stephanie Schwerter.
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Irish studies;Irish literature;written and spoken discourse;literary discourse;stylistics;new media;Irish theatre;traductology;migration studies;dialectology;discourse analysis;literary diction;corpus linguistics
Chapter 1. Introduction; Carolina P. Amador Moreno and Diana Villanueva Romero.- Chapter 2. Voicing the 'Knacker': Analysing the Comedy of the Rubberbandits; Elaine Vaughan and Mairead Moriarty.- Chapter 3. "I intend to try some other part of the worald." Evidence of schwa-epenthesis in the historical letters of Irish emigrants; Persijn M. de Rijke.- Chapter 4. NEG/AUX contraction in eighteenth-century Irish English emigrant letters; Dania Jovanna Bonnes.- Chapter 5. A Corpus-Based Approach to Waiting for Godot's Stage Directions: A Comparison between the French and the English Version; Pablo Ruano San Segundo.- Chapter 6. Samuel Beckett's Irish Voice in Not I; Jose Francisco Fernandez.- Chapter 7. Bernard Shaw and the Subtextual Irish Question; Gustavo A. Rodriguez Martinez.- Chapter 8. Voices from War, a Privileged Fado; Daniel de Zubia Fernandez.- Chapter 9. A Century Apart: Intimacy, Love and Desire from James Joyce to Emma Donoghue; Teresa Casal.- Chapter 10. Foreign Voices and the Troubles: Northern Irish fiction in French, German and Spanish Translation; Stephanie Schwerter.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
